DuJour Magazine (2014)
Do you remember the moment you wanted to be an actress, as a career? My first main job was [Lasse Hallström’s 2007 drama] Casanova, and I remember being in one of the taxi speedboats from Venice Airport flying over across the lagoon to be taken to the hotel to start production. And I was looking at Venice while riding out over the water and pinching myself, thinking, “Oh my god, I am actually being paid to be in this incredible city to act.” After three years of classical training, where we are told, in British drama schools at least, that we are going to sit in sawdust for years and years and years and see so much unemployment and we should prepare ourselves for the worst. The magic of Venice appearing out of the lagoon and me realizing, “I can actually do this as a job.” You just never take it for granted.Natalie Dormer for Vanity Fair.
AU: There’s no curse. Emma and Regina are two women who fell in love and are raising Henry together. It’s Halloween, and Regina swings by the sheriff’s office after work to meet her wife and son to go trick-or-treating.
Strength does not come from physical capacity. It comes from an indomitable will.
Actually, I’m a big softie and that’s why I’m covered in tattoos, everything is because I’m actually quite scared of everything. The point is that I’m naturally a quite fearful person, okay? … That’s what I trade on anyway, so I don’t go around all the time getting angry. It’s because I’m a sweetheart. I want everyone to love me.
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Marlon Brando’s ‘Rebel Without a Cause’ screen test. [X]